Feb 27, 1997

Steve Lail -AKA- The Rainbow Kid



The cold text on a screen will tell you that William Steve Lail was an author. It will code him neatly into data points: an inspirational figure, a survivor of severe trauma, a man who navigated the sharp realities of an accident and a broken spinal cord.

But a search engine only captures the architecture of a tragedy, not the soul living inside it. It doesn’t know the heat of his wit, the heavy velvet of his room, or the midnight whispers that defied his pain.

I am here to tell you about the flesh, the bone, and the beautiful, fragile reality of my friend.

The quiet came for William Steve Lail on February 17, 1998, in the stillness of Longview, North Carolina. He was 53. After a twenty-year existence spent anchored to a hospital bed, a final battle with infection and pneumonia pulled the curtain down on a life split neatly into two acts.

Before the axis of his world shifted, Steve was a vibrant young journalism teacher in Virginia. In 1978, at thirty-three, he stepped into the chaotic heat of a party to break up a fight. A sudden tumble down a flight of stairs, a blackout, and an awakening into a body forever altered—paralyzed from the chest down. The career ended. The geography of his life shrank back to a quiet home near Hickory, North Carolina where he spent eighteen years cloistered in the tender, daily care of his father.

But Steve’s mind remained a sharp, wild thing under the surface. He was a journalist, a teacher, a poet, and a conspirator in truth. His books, Six Flags Over P.T.L. and More Fun With Jim & Tammy, were heavy stones thrown at an empire of deception, helping to shatter the Bakker theological regime. He wrote poetry steeped in a bitter, brilliant satire that I absolutely adored—a sharp-edged perspective bound into the pages of The Truth About Rainbows.

I first found him in the autumn of 1989, amidst the sterile rush of a hospital medical floor. I was drowning under the weight of nine patients, my hands full, my mind scattered. Out of the clinical blur stepped Charlie Lail—an old man of eighty, weathered and steady—asking for something to ease his son's pain.

When I carried the medicine into the room, the man in the bed bypassed the ordinary script of a patient. He looked at me and asked, "What is your favorite movie?"

"You’ve never heard of it," I replied, a defensive shield against the morning rush.

"Try me," he challenged, his eyes holding a theatrical spark.

When I told him Jesus Christ Superstar, he didn’t hesitate. "Oh, Ted Neeley and Carl Anderson," he murmured instantly. In a world where no one seemed to know the lead of my favorite film, he casually spoke of hanging out with them in the 1970’s. I walked away thinking it was a masterclass in original pickup lines. It turned out to be the absolute truth.

The years that followed became a shared geography between Steve, his dad Charlie, and me. After grueling twelve-hour hospital shifts, I would find myself drawn back to their space. Entering Steve’s room required a slow, soft cadence. I would pull an old straight-backed chair—its seat a faded, threadbare red velvet—right up to the edge of his mattress and just sink into it.

There were evenings when his nerve pain was a physical entity in the room, heavy and suffocating. On those nights, language failed us. I would simply sit in the dark, holding his hand, letting him draw me into the margins of his suffering. It left me entirely spent, a phantom exhaustion, but it left him calmer—the crushing weight of the burden halved just by being witnessed. Yet, even as he floated in that abyss, he would fight his way to the surface just to ask about my life, my children. To care, despite the fire in his own nerve endings.

In those long, looping conversations, I came to know the ghost of the boy from the 1950s, the uninhibited young man before the fall, and the profound soul sitting right in front of me. He thanked me for the errands, the small drops of time I gave him, but the debt was entirely mine. I was the one cradled by his fierce, fragile friendship.

When my marriage splintered into pieces years later, I drifted back to North Carolina. Charlie was gone by then, but Steve opened his home to me. He had the housekeeper prepare his late mother’s bedroom.

When I crossed the threshold, the room met me with a profound tenderness: fresh daisies—my favorite back then—resting on the nightstand next to a small glass bowl of M&Ms. Later, as the house settled into its nighttime bones, the sound of his coughing cut through the quiet. Our bedroom doors stood wide open, a bridge across the hallway.

"You awake?" I called into the shadows.

A witty, sharp response echoed back—the exact words have dissolved into time, but the warmth of his voice remains vibrant. For two hours, we traded hushed, echoing whispers across the dark. The windows were propped open, allowing a cool, sweet Southern breeze to breathe its magic into the house.

The moon held a pale light against the wall. Lying there, suspended between sleep and wakefulness, whispering to a kindred soul down the hall, adulthood simply evaporated. We were like children staying up past the hour of permission, carrying on an enchanting, secret conversation because there were no "grown-ups" to dictate the silence. In the safety of the dark, our vulnerabilities, our fears and our wildest dreams were suddenly safe to speak aloud.

I will never forget him, nor the way he re-wired my hands as a nurse and my heart as a human. "I hate when someone tells me they know how I feel, or that it could be worse," he would tell me. He was entirely right. We can never truly occupy the skin of another person. Telling someone it could be worse does nothing to lighten the gravity of the present storm.

He used to speak of an old college friend. They had a pact, a solemn agreement made in youth, to write each other’s eulogies. I still wonder if that friend was there at the end. Steve wanted to be buried on his own terms: blue jeans, boots, and a sports jacket.

It is a quiet ache in my chest that I wasn't there in Hickory to ensure those clothes were waiting for him. I was a thousand miles away, trapped in the orbit of my own life crisis, only learning of his passing months after the earth had claimed him.

We carry pieces of guilt for the things we failed to do, debts we feel we can never repay. But even through that heavy shadow, the warmth of his friendship and the enduring pull of his love still find me. I am a softer, better soul for having sat in that red velvet chair.



Here’s to you, Superstar.
Taken about 1974 before I met him.